The Schomburg Center: A Century of Soul and Scholarship

HarlemAmerica-Schomberg-100--Featured-Image-2

In Harlem, history isn’t just remembered—it’s alive. It speaks through the jazz that drifts down Lenox Avenue, the murals that watch over 135th Street, and the books, voices, and visions housed within the mighty walls of the Schomburg Center for Research in Black Culture.

Now, as the Schomburg turns 100, we don’t just mark a milestone—we honor a movement. A century of collecting, protecting, and amplifying the Black experience. A century of daring to say, “Our history matters. Our voices belong. Our legacy is unstoppable.”

Schomburg Building Thru The Years Reduced
HarlemAmerica Your Ad Here Man Hoodie

Arturo SchomburgThe Spark That Lit a Legacy: Arturo Schomburg’s Vision

It all began with a boy from Puerto Rico. Arturo Alfonso Schomburg, born in 1874, was told as a child that Black people had no history worth knowing. Rather than accept that lie, he made it his life’s mission to prove the power of our past.

Arriving in New York in 1891, Schomburg juggled work as a printer and elevator operator by day, and built one of the most important archives of Black history by night. He called them “vindication documents”—evidence of African and Afro-descended brilliance across the globe.

By 1925, in the thick of the Harlem Renaissance, his massive private collection became the foundation for what was then called the Division of Negro Literature, History and Prints at the New York Public Library’s 135th Street branch. With help from a Carnegie grant, the NYPL acquired Schomburg’s treasures: over 3,000 books, 1,100 pamphlets, rare prints, and priceless manuscripts.

Arturo didn’t just collect history. He rescued it. And in doing so, he laid the foundation for a cultural sanctuary that would grow far beyond even his own dreams.

From Reading Room to Revolution: Building a Cultural Powerhouse

Over the next century, the Schomburg Center evolved from a quiet corner of the library into one of the world’s most respected institutions of Black scholarship and memory.

  • Under Jean Blackwell Hutson (1948–1980), the collection grew from 15,000 to 75,000 volumes. Her leadership birthed a new building in 1981 and international partnerships, including with the University of Ghana.
  • Howard Dodson Jr. took the reins in 1984 and spent nearly three decades expanding the collection to over 10 million items—including the personal papers of Malcolm X, Lorraine Hansberry, and Maya Angelou. He turned exhibitions into experiences, making Black history accessible and alive.
  • Kevin Young continued the charge in 2016, adding archives from James Baldwin, Harry Belafonte, and Ruby Dee & Ossie Davis, and launching crowd-favorite programs like the Black Comic Book Festival, the Schomburg Literary Festival, and Home to Harlem—bridging generations through storytelling.

Now, under the brilliant direction of Joy Bivins, the Center honors its legacy while charting a bold new path. Bivins curates the centennial exhibition, 100: A Century of Collections, Community, and Creativity, reminding us that Black history is global history—and that the Schomburg is far from finished.

Leadership Through The Years

Jean Blackwell Hutson
Jean BlackWell Hutson Curator 1948-1972
Wendell Wray Reduced
Wendell Wray Director 1981-1983
Howard Dodson Jr
Howard Dodson Jr Director 1984-2010
Khalil Gibran Muhammad Reduced
Khalil Gibran Muhammad Director 2011-2016
Kevin Young Reduced
Kevin Young Director 2016-2020
Joy Bivins Reduced
Joy Bivins Director 2021-Present

The Soul of the Collection: A Diasporic Universe

With over 11 million items housed across five major divisions, the Schomburg holds multitudes:

  • Rare books on slavery, resistance, and the global Black experience
  • Letters from Toussaint Louverture and early abolitionist newspapers
  • Art and artifacts, from 19th-century lithographs to paintings by Aaron Douglas and Kara Walker
  • Audio archives of jazz legends, speeches from the Civil Rights era, and field recordings that capture Black voices in their rawest truth
  • Photos, shackles, musical scores, comics, diaries—real objects from real lives

Each item tells a story. And every story makes the archive feel less like a collection and more like a cathedral of memory.

One of the Center’s crown jewels is the Lapidus Center for the Historical Analysis of Transatlantic Slavery—the only scholarly facility of its kind inside a public library. Through research, public programming, and the Nonfiction Prize, it ensures that the history of slavery remains studied, understood, and never forgotten.

A Global Gathering Place for Black Brilliance

The Schomburg Center is Harlem-rooted but world-reaching.

It welcomes scholars, artists, educators, and creators from every corner of the globe. Whether you’re researching African resistance in Angola, music from Martinique, or the Harlem Renaissance itself, the Schomburg is the connective tissue that binds the global Black experience.

It fosters an understanding of the Diaspora that is panoramic and personal—full of struggle, joy, innovation, and resilience. From the Caribbean to Brazil, Senegal to Detroit, the Schomburg is a hub of Black consciousness without borders.

Schmbrg 0214 Reduced

Looking Forward: A Future as Bold as Its Past

The next 100 years? They start now.

The Schomburg is digitizing its archives, creating open access for global learners. It’s using multimedia to reach younger generations. And it’s doubling down on its mission to document, preserve, and activate Black excellence.

In a time when historical erasure is still a threat, when books are banned and truths are distorted, the Schomburg stands firm—reminding us that Black stories are not just history. They are blueprints. They are medicine. They are futures unfolding.

More Than a Library: A Living, Breathing Harlem Landmark

The Schomburg isn’t just a building—it’s Harlem’s heart.

It’s where children discover their ancestors. Where young scholars find their voice. Where elders pass the torch. It’s a homecoming for everyone touched by the African Diaspora.

Through programs like the Black Comic Book Festival, the Harlem Circle young professionals network, and job training series for local residents, the Center reflects the needs and dreams of the community it serves. It’s where scholarship meets soul.

Its very location—on 135th and Malcolm X Boulevard—says everything. This is more than geography. It’s legacy ground.

The Celebration Continues

The 2025–2026 centennial season promises exhibitions, performances, oral histories, and new community partnerships. It’s not just a celebration—it’s a reawakening.

Because what began with one man’s private collection has become a global institution. A fortress of Black memory. A lighthouse for liberation.

The Schomburg Center is Harlem’s pride. The Diaspora’s treasure. And the world’s responsibility.

So walk through its doors. Hear the voices. See the faces. Touch the past. Shape the future.

Because the story isn’t over—it’s just getting started.

Centennial Opening Celebration Isseu Diouf Campbell Photo Reduced
Photo: Isseu Diouf Campbell

Mama Foundation 2025 Winter Benefit Concertt REPLAY CLICK HERE BUTTON

HarlemAmerica Your Ad Here Man Hoodie

This Month’s Featured Articles

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The Studio Museum in Harlem, long a global epicenter for artists of African descent—reopens in 2025 with a groundbreaking new home that redefines what a cultural institution can be. From its radical 1968 loft origins to Sir David Adjaye’s “inverted stoop,” the museum remains Harlem’s beacon of Black creativity, community, and future-making.


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Kelly Rowland’s relationship with Harlem runs deeper than red carpets and photo ops. From the Apollo Theater to Harlem Hospital, Getting Out and Staying Out (GOSO), and local Black-owned restaurants, she blends star power with street-level service. In Harlem, Rowland isn’t visiting—she’s investing, uplifting, and rewriting what celebrity commitment looks like.


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The National Urban League’s return to Harlem with its $242 million Empowerment Center marks a bold new era of Black economic sovereignty. Combining affordable housing, a civil rights museum, workforce development, and a self-sustaining headquarters, the center reclaims Harlem’s legacy while shaping the future of social and economic justice.


FeaturedHarlemEntertainment

Samuel L. Jackson and LaTanya Richardson Jackson’s story isn’t just about Hollywood greatness, it’s about a lifelong commitment to building, protecting, and funding Black institutions. From Harlem’s stages to Spelman’s arts center and the new Urban Civil Rights Museum, the Jacksons have spent decades transforming activism into infrastructure and legacy into community power.


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In Harlem, history isn’t just remembered—it’s alive. It speaks through the jazz that drifts down Lenox Avenue, the murals that watch over 135th Street, and the books, voices, and visions housed within the mighty walls of the Schomburg Center for Research in Black Culture.

Now, as the Schomburg turns 100, we don’t just mark a milestone—we honor a movement. A century of collecting, protecting, and amplifying the Black experience. A century of daring to say, “Our history matters. Our voices belong. Our legacy is unstoppable.”

Schomburg Building Thru The Years Reduced
HarlemAmerica Your Ad Here Man Hoodie

Arturo SchomburgThe Spark That Lit a Legacy: Arturo Schomburg’s Vision

It all began with a boy from Puerto Rico. Arturo Alfonso Schomburg, born in 1874, was told as a child that Black people had no history worth knowing. Rather than accept that lie, he made it his life’s mission to prove the power of our past.

Arriving in New York in 1891, Schomburg juggled work as a printer and elevator operator by day, and built one of the most important archives of Black history by night. He called them “vindication documents”—evidence of African and Afro-descended brilliance across the globe.

By 1925, in the thick of the Harlem Renaissance, his massive private collection became the foundation for what was then called the Division of Negro Literature, History and Prints at the New York Public Library’s 135th Street branch. With help from a Carnegie grant, the NYPL acquired Schomburg’s treasures: over 3,000 books, 1,100 pamphlets, rare prints, and priceless manuscripts.

Arturo didn’t just collect history. He rescued it. And in doing so, he laid the foundation for a cultural sanctuary that would grow far beyond even his own dreams.

From Reading Room to Revolution: Building a Cultural Powerhouse

Over the next century, the Schomburg Center evolved from a quiet corner of the library into one of the world’s most respected institutions of Black scholarship and memory.

  • Under Jean Blackwell Hutson (1948–1980), the collection grew from 15,000 to 75,000 volumes. Her leadership birthed a new building in 1981 and international partnerships, including with the University of Ghana.
  • Howard Dodson Jr. took the reins in 1984 and spent nearly three decades expanding the collection to over 10 million items—including the personal papers of Malcolm X, Lorraine Hansberry, and Maya Angelou. He turned exhibitions into experiences, making Black history accessible and alive.
  • Kevin Young continued the charge in 2016, adding archives from James Baldwin, Harry Belafonte, and Ruby Dee & Ossie Davis, and launching crowd-favorite programs like the Black Comic Book Festival, the Schomburg Literary Festival, and Home to Harlem—bridging generations through storytelling.

Now, under the brilliant direction of Joy Bivins, the Center honors its legacy while charting a bold new path. Bivins curates the centennial exhibition, 100: A Century of Collections, Community, and Creativity, reminding us that Black history is global history—and that the Schomburg is far from finished.

Leadership Through The Years

Jean Blackwell Hutson
Jean BlackWell Hutson Curator 1948-1972
Wendell Wray Reduced
Wendell Wray Director 1981-1983
Howard Dodson Jr
Howard Dodson Jr Director 1984-2010
Khalil Gibran Muhammad Reduced
Khalil Gibran Muhammad Director 2011-2016
Kevin Young Reduced
Kevin Young Director 2016-2020
Joy Bivins Reduced
Joy Bivins Director 2021-Present

The Soul of the Collection: A Diasporic Universe

With over 11 million items housed across five major divisions, the Schomburg holds multitudes:

  • Rare books on slavery, resistance, and the global Black experience
  • Letters from Toussaint Louverture and early abolitionist newspapers
  • Art and artifacts, from 19th-century lithographs to paintings by Aaron Douglas and Kara Walker
  • Audio archives of jazz legends, speeches from the Civil Rights era, and field recordings that capture Black voices in their rawest truth
  • Photos, shackles, musical scores, comics, diaries—real objects from real lives

Each item tells a story. And every story makes the archive feel less like a collection and more like a cathedral of memory.

One of the Center’s crown jewels is the Lapidus Center for the Historical Analysis of Transatlantic Slavery—the only scholarly facility of its kind inside a public library. Through research, public programming, and the Nonfiction Prize, it ensures that the history of slavery remains studied, understood, and never forgotten.

More Than a Library: A Living, Breathing Harlem Landmark

The Schomburg isn’t just a building—it’s Harlem’s heart.

It’s where children discover their ancestors. Where young scholars find their voice. Where elders pass the torch. It’s a homecoming for everyone touched by the African Diaspora.

Through programs like the Black Comic Book Festival, the Harlem Circle young professionals network, and job training series for local residents, the Center reflects the needs and dreams of the community it serves. It’s where scholarship meets soul.

Its very location—on 135th and Malcolm X Boulevard—says everything. This is more than geography. It’s legacy ground.

A Global Gathering Place for Black Brilliance

The Schomburg Center is Harlem-rooted but world-reaching.

It welcomes scholars, artists, educators, and creators from every corner of the globe. Whether you’re researching African resistance in Angola, music from Martinique, or the Harlem Renaissance itself, the Schomburg is the connective tissue that binds the global Black experience.

It fosters an understanding of the Diaspora that is panoramic and personal—full of struggle, joy, innovation, and resilience. From the Caribbean to Brazil, Senegal to Detroit, the Schomburg is a hub of Black consciousness without borders.

Looking Forward: A Future as Bold as Its Past

The next 100 years? They start now.

The Schomburg is digitizing its archives, creating open access for global learners. It’s using multimedia to reach younger generations. And it’s doubling down on its mission to document, preserve, and activate Black excellence.

In a time when historical erasure is still a threat, when books are banned and truths are distorted, the Schomburg stands firm—reminding us that Black stories are not just history. They are blueprints. They are medicine. They are futures unfolding.

Schmbrg 0214 Reduced

The Celebration Continues

The 2025–2026 centennial season promises exhibitions, performances, oral histories, and new community partnerships. It’s not just a celebration—it’s a reawakening.

Because what began with one man’s private collection has become a global institution. A fortress of Black memory. A lighthouse for liberation.

The Schomburg Center is Harlem’s pride. The Diaspora’s treasure. And the world’s responsibility.

So walk through its doors. Hear the voices. See the faces. Touch the past. Shape the future.

Because the story isn’t over—it’s just getting started.

Centennial Opening Celebration Isseu Diouf Campbell Photo Reduced
Photo: Isseu Diouf Campbell

Mama Foundation 2025 Winter Benefit Concertt REPLAY CLICK HERE BUTTON

HarlemAmerica Your Ad Here Man Hoodie

This Month’s Featured Articles

FeaturedHarlemLove

The Studio Museum in Harlem, long a global epicenter for artists of African descent—reopens in 2025 with a groundbreaking new home that redefines what a cultural institution can be. From its radical 1968 loft origins to Sir David Adjaye’s “inverted stoop,” the museum remains Harlem’s beacon of Black creativity, community, and future-making.


FeaturedHarlemEntertainment

Kelly Rowland’s relationship with Harlem runs deeper than red carpets and photo ops. From the Apollo Theater to Harlem Hospital, Getting Out and Staying Out (GOSO), and local Black-owned restaurants, she blends star power with street-level service. In Harlem, Rowland isn’t visiting—she’s investing, uplifting, and rewriting what celebrity commitment looks like.


FeaturedHarlemEmpowerment

The National Urban League’s return to Harlem with its $242 million Empowerment Center marks a bold new era of Black economic sovereignty. Combining affordable housing, a civil rights museum, workforce development, and a self-sustaining headquarters, the center reclaims Harlem’s legacy while shaping the future of social and economic justice.


FeaturedHarlemEntertainment

Samuel L. Jackson and LaTanya Richardson Jackson’s story isn’t just about Hollywood greatness, it’s about a lifelong commitment to building, protecting, and funding Black institutions. From Harlem’s stages to Spelman’s arts center and the new Urban Civil Rights Museum, the Jacksons have spent decades transforming activism into infrastructure and legacy into community power.


FeaturedHarlem - The Most Soulful Place On Earth™

Walking Into the Heart of Harlem’s Holiday Spirit. On the evening of November 18th, Harlem did what Harlem does best — it shined.


FeaturedHarlemBusinessHarlemEmpowerment

Your dollar has power. Make it work for the culture. Read our guide to global Black-owned businesses you can support today.


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RICHARD LALLITE
Richard Lallite was born in Harlem, USA and is a proud NYC Native. He is the Director of Digital Content for HarlemAmerica.com and the Owner of Harlem Boy Media Design.

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