
The Land Beneath the Legend
Harlem’s story is one the world knows — of jazz and justice, of Black brilliance and cultural fire. But before the Renaissance, before the Great Migration, before the first brownstones lined Lenox Avenue, this place was known by another name: Quinnahung — “The Planting Neck.”
This land, stretching from the Harlem River to the upper reaches of Manhattan, was the ancestral home of the Lenape people, the original stewards of what they call Lenapehoking — the homeland that once spanned from Delaware to Connecticut. Here, the Wecquaesgeek band of the Lenape cultivated corn and tobacco, fished the marshes of the Muscoota (“River among the green sedge”), and walked the Wickquasgeck trail, a north–south artery that would one day become Broadway and the Old Harlem Road.
Every modern street corner in Harlem rests on this unceded ground. And within its soil lives a layered story — one of displacement and defiance, of shared survival between Indigenous people and the Africans later brought here in chains. Harlem’s foundation, both literal and spiritual, tells the intertwined tale of two peoples whose roots reach deeper than any colonial line ever drawn.

The First Dispossession
When Dutch settlers carved out Nieuw Haarlem in 1658, they claimed fertile Lenape land through violence and renaming. The Wecquaesgeek were driven from their ancestral villages by the end of the 17th century, their rivers and valleys rebranded in the language of mill owners and merchants.
A creek called Mentipathe became “Cromwell’s Creek.” Quinnahung was recast as “farmland.” The process was more than linguistic — it was psychological warfare. Every erasure of a Lenape word stripped away a piece of sovereignty, replacing a living ecosystem with colonial possession.
Yet, beneath the foundations of Marcus Garvey Park still lies the same bedrock the Lenape stood on in 1609 — unbroken, unbought, unceded. Harlem’s resilience, as it turns out, has always been rooted in that soil.
Parallel Chains: The African Arrival
While the Lenape were being removed from Manhattan, the Dutch West India Company imported enslaved Africans to build it. By 1628, Africans were laboring in New Amsterdam — the city that would become New York — constructing roads, fortifications, and the route that led north to Nieuw Haarlem.
Out of this violence came a haunting irony: in the 1640s, after war with the Lenape left the Dutch vulnerable, they created a “Land of the Blacks,” a buffer zone of 30 African-owned farms stretching through present-day Greenwich Village and SoHo. These so-called “half-free” Africans were granted land only to serve as a living shield between the colony and the native inhabitants it had displaced.
From the start, Harlem’s landscape carried the scars of colonial design — Indigenous removal layered beneath African enslavement. Two different peoples, both exploited to secure another’s power, found themselves linked by geography and injustice.

Shared Sacred Ground
Nowhere is that shared history more visible than at the Harlem African Burial Ground, located at 126th Street and 2nd Avenue.
Between the mid-1600s and mid-1800s, this ground held the remains of enslaved and free Africans — men, women, and children who helped build early Harlem. Yet the burial site itself lies within Muscoota, the Lenape’s sacred river valley. It is, in every sense, shared sacred ground — African souls resting in Lenape land.
That truth has profound implications for how Harlem remembers itself. The plans to transform this rediscovered site into a memorial and cultural center present a rare opportunity — to honor both the African diaspora dead and the Lenape ancestors displaced from the same earth. To do it right means more than plaques and ceremonies. It means joint stewardship, collaboration, and a new model of restorative memory.
Survivance in the City
Centuries after the Lenape were forced from their homeland, their presence endures — not as ghosts, but as living culture.
Today, New York City is still Lenapehoking, home to one of the nation’s most active urban Indigenous communities, representing nations from across North, Central, and South America. Their collective work is not about nostalgia — it’s about survivance, a term that blends survival and resistance.
Three key institutions carry that spirit forward:
- The American Indian Community House (AICH) – Founded in 1969 by Native volunteers, AICH serves thousands through education, health programs, and intercultural arts. It offers scholarships, hosts workshops, and ensures that Indigenous presence in New York is visible, vibrant, and valued.
- The Urban Indigenous Collective (UIC) – A model of holistic health advocacy, UIC combines traditional knowledge with modern medicine, leading efforts to “Indigenize” New York’s public health and social systems. Its work in Harlem redefines what urban sovereignty can look like.
- The Lenape Center – Established in 2008, the Center champions cultural revival and ecological repatriation — restoring the land through Indigenous foodways and native species. Its landmark 2022 Lenapehoking exhibition was the first Lenape-curated cultural showcase in New York City history. Its projects, from planting Lenape fruit trees in Manhattan to rebuilding biodiversity on Governors Island, are quiet acts of reclamation — living land acknowledgments.
Together, these organizations prove that Harlem is not just the capital of Black America — it’s part of a living Indigenous capital too.
Intersectional Harlem: A Shared Healing
In recent years, Harlem has become a new kind of meeting ground — a space for Black and Indigenous solidarity, forged through shared trauma and common purpose.
Programs like Rutgers University’s “Kikeokàn/Kuponya” initiative link the Lenape word for healing (Kikeokàn) with the Swahili term (Kuponya), forming a linguistic and cultural bridge between communities that have both survived centuries of displacement and oppression.
In Harlem and beyond, artists, scholars, and organizers are finding resonance in each other’s struggles. From dialogues at the Morris-Jumel Mansion, where exhibitions now weave together Lenape, African American, and Dominican histories, to joint celebrations like Indigenous Peoples’ Day NYC on Randall’s Island, the movement is clear: healing happens together.
Harlem, long a symbol of Black self-determination, is now expanding that identity — embracing its role as a Capital of Intersectionality, where movements for Indigenous and African American justice converge.
Bridging the Gaps: Harlem’s Cultural Responsibility
For all its legacy of leadership, Harlem’s major institutions still have work to do.
The Schomburg Center for Research in Black Culture and the Studio Museum in Harlem are pillars of African American history and art — but neither has yet established permanent collaborations with Indigenous organizations. The Morris-Jumel Mansion’s “Living Landscape” project offers a blueprint for how to change that, integrating land acknowledgment into curation and programming.
Imagine exhibitions where the Lenape Center and Harlem’s cultural archives co-curate the story of Black and Indigenous intersections, from the colonial frontier to modern activism. Imagine the Schomburg dedicating space to Indigenous archives, or the Studio Museum commissioning art rooted in the shared aesthetics of resistance.
Harlem, built on sacred ground, has the moral authority — and the responsibility — to lead that movement.
The Future of Unceded Harlem
The true Harlem story doesn’t begin in 1920 or 1658 — it begins thousands of years earlier, when the Lenape first named this land Quinnahung, and later when Africans labored to build it into what it would become. The future depends on remembering both.
In a city that thrives on reinvention, acknowledging the original and the ancestral is the most radical act of all. As Harlem continues to evolve, its next renaissance may not be artistic or political alone — but ethical.
Restoration is not just about memory. It’s about partnership. It’s about Indigenous and African descendants working together — to honor shared pain, celebrate shared strength, and plant the seeds of a truly shared future.
Because Harlem’s story, at its deepest root, is not just about who came here — but about who was always here.


The Land Beneath the Legend
Harlem’s story is one the world knows — of jazz and justice, of Black brilliance and cultural fire. But before the Renaissance, before the Great Migration, before the first brownstones lined Lenox Avenue, this place was known by another name: Quinnahung — “The Planting Neck.”
This land, stretching from the Harlem River to the upper reaches of Manhattan, was the ancestral home of the Lenape people, the original stewards of what they call Lenapehoking — the homeland that once spanned from Delaware to Connecticut. Here, the Wecquaesgeek band of the Lenape cultivated corn and tobacco, fished the marshes of the Muscoota (“River among the green sedge”), and walked the Wickquasgeck trail, a north–south artery that would one day become Broadway and the Old Harlem Road.
Every modern street corner in Harlem rests on this unceded ground. And within its soil lives a layered story — one of displacement and defiance, of shared survival between Indigenous people and the Africans later brought here in chains. Harlem’s foundation, both literal and spiritual, tells the intertwined tale of two peoples whose roots reach deeper than any colonial line ever drawn.

The First Dispossession
When Dutch settlers carved out Nieuw Haarlem in 1658, they claimed fertile Lenape land through violence and renaming. The Wecquaesgeek were driven from their ancestral villages by the end of the 17th century, their rivers and valleys rebranded in the language of mill owners and merchants.
A creek called Mentipathe became “Cromwell’s Creek.” Quinnahung was recast as “farmland.” The process was more than linguistic — it was psychological warfare. Every erasure of a Lenape word stripped away a piece of sovereignty, replacing a living ecosystem with colonial possession.
Yet, beneath the foundations of Marcus Garvey Park still lies the same bedrock the Lenape stood on in 1609 — unbroken, unbought, unceded. Harlem’s resilience, as it turns out, has always been rooted in that soil.
Parallel Chains: The African Arrival
While the Lenape were being removed from Manhattan, the Dutch West India Company imported enslaved Africans to build it. By 1628, Africans were laboring in New Amsterdam — the city that would become New York — constructing roads, fortifications, and the route that led north to Nieuw Haarlem.
Out of this violence came a haunting irony: in the 1640s, after war with the Lenape left the Dutch vulnerable, they created a “Land of the Blacks,” a buffer zone of 30 African-owned farms stretching through present-day Greenwich Village and SoHo. These so-called “half-free” Africans were granted land only to serve as a living shield between the colony and the native inhabitants it had displaced.
From the start, Harlem’s landscape carried the scars of colonial design — Indigenous removal layered beneath African enslavement. Two different peoples, both exploited to secure another’s power, found themselves linked by geography and injustice.

Shared Sacred Ground
Nowhere is that shared history more visible than at the Harlem African Burial Ground, located at 126th Street and 2nd Avenue.
Between the mid-1600s and mid-1800s, this ground held the remains of enslaved and free Africans — men, women, and children who helped build early Harlem. Yet the burial site itself lies within Muscoota, the Lenape’s sacred river valley. It is, in every sense, shared sacred ground — African souls resting in Lenape land.
That truth has profound implications for how Harlem remembers itself. The plans to transform this rediscovered site into a memorial and cultural center present a rare opportunity — to honor both the African diaspora dead and the Lenape ancestors displaced from the same earth. To do it right means more than plaques and ceremonies. It means joint stewardship, collaboration, and a new model of restorative memory.
Survivance in the City
Centuries after the Lenape were forced from their homeland, their presence endures — not as ghosts, but as living culture.
Today, New York City is still Lenapehoking, home to one of the nation’s most active urban Indigenous communities, representing nations from across North, Central, and South America. Their collective work is not about nostalgia — it’s about survivance, a term that blends survival and resistance.
Three key institutions carry that spirit forward:
- The American Indian Community House (AICH) – Founded in 1969 by Native volunteers, AICH serves thousands through education, health programs, and intercultural arts. It offers scholarships, hosts workshops, and ensures that Indigenous presence in New York is visible, vibrant, and valued.
- The Urban Indigenous Collective (UIC) – A model of holistic health advocacy, UIC combines traditional knowledge with modern medicine, leading efforts to “Indigenize” New York’s public health and social systems. Its work in Harlem redefines what urban sovereignty can look like.
- The Lenape Center – Established in 2008, the Center champions cultural revival and ecological repatriation — restoring the land through Indigenous foodways and native species. Its landmark 2022 Lenapehoking exhibition was the first Lenape-curated cultural showcase in New York City history. Its projects, from planting Lenape fruit trees in Manhattan to rebuilding biodiversity on Governors Island, are quiet acts of reclamation — living land acknowledgments.
Together, these organizations prove that Harlem is not just the capital of Black America — it’s part of a living Indigenous capital too.
Intersectional Harlem: A Shared Healing
In recent years, Harlem has become a new kind of meeting ground — a space for Black and Indigenous solidarity, forged through shared trauma and common purpose.
Programs like Rutgers University’s “Kikeokàn/Kuponya” initiative link the Lenape word for healing (Kikeokàn) with the Swahili term (Kuponya), forming a linguistic and cultural bridge between communities that have both survived centuries of displacement and oppression.
In Harlem and beyond, artists, scholars, and organizers are finding resonance in each other’s struggles. From dialogues at the Morris-Jumel Mansion, where exhibitions now weave together Lenape, African American, and Dominican histories, to joint celebrations like Indigenous Peoples’ Day NYC on Randall’s Island, the movement is clear: healing happens together.
Harlem, long a symbol of Black self-determination, is now expanding that identity — embracing its role as a Capital of Intersectionality, where movements for Indigenous and African American justice converge.
Bridging the Gaps: Harlem’s Cultural Responsibility
For all its legacy of leadership, Harlem’s major institutions still have work to do.
The Schomburg Center for Research in Black Culture and the Studio Museum in Harlem are pillars of African American history and art — but neither has yet established permanent collaborations with Indigenous organizations. The Morris-Jumel Mansion’s “Living Landscape” project offers a blueprint for how to change that, integrating land acknowledgment into curation and programming.
Imagine exhibitions where the Lenape Center and Harlem’s cultural archives co-curate the story of Black and Indigenous intersections, from the colonial frontier to modern activism. Imagine the Schomburg dedicating space to Indigenous archives, or the Studio Museum commissioning art rooted in the shared aesthetics of resistance.
Harlem, built on sacred ground, has the moral authority — and the responsibility — to lead that movement.
The Future of Unceded Harlem
The true Harlem story doesn’t begin in 1920 or 1658 — it begins thousands of years earlier, when the Lenape first named this land Quinnahung, and later when Africans labored to build it into what it would become. The future depends on remembering both.
In a city that thrives on reinvention, acknowledging the original and the ancestral is the most radical act of all. As Harlem continues to evolve, its next renaissance may not be artistic or political alone — but ethical.
Restoration is not just about memory. It’s about partnership. It’s about Indigenous and African descendants working together — to honor shared pain, celebrate shared strength, and plant the seeds of a truly shared future.
Because Harlem’s story, at its deepest root, is not just about who came here — but about who was always here.












